There might be gaps and errors in my thinking here so feel free to give critique. If you turn the knob 360° (or it's usually less if it's not endless) you will get a rotation with and increment of about 2.8° (360/127) while OSC can sends much smaller increments so that means a smoother rotation. Let's say you're rotating an object 360° in Modul8 with a midi controller. * Just to explain the changes in resolution between MIDI and OSC: Absolute MIDI values goes from 0-127. A lot of nice little increments in between that will allow a much smoother animation in Modul8.Īlso if you record value changes over time you should be able to change the values so it isn't as crude as the input from your MIDI controller. I'm playing with the demo (on a macbook pro) while i wait for my proper copy (should be tomorrow i think) and its running pretty well, although i'm a little baffled by the best way to do what i want to do. four tablet parameters can be assigned to Modul8 and Ableton Live parameters. interested to know how people have got this setup if at all. So over OSC 0-100% will represent 0.0-1.0. Live audio, live video, electronic drawing, electronic music, performance. If I remember it correctly (I haven't been able to reproduce this in Live yet) you can set up a knob to have resistance, so that you for instance have to turn a knob 720° to reach 100%. BUT if you use a MIDI controller that sends a relative value things starts getting interesting. So if you map a MIDI controller to a knob/slider in Live using an absolute MIDI value you won't really gain anything by having the message routed over OSC either (shit in, shit out). So if you are using midi notes (as in note on/off) to trigger things in Modul8 you might as well just stick to MIDI.īut what Live does is sending OSC messages for all knobs and sliders, on the tracks and on the effects (I'm pretty new at Live so bare with me). MIDI is low res so it wouldn't benefit from being sent over a protocol with higher resolution* like OSC. It's really unnecessary if you think about it. Live doesn't send MIDI messages over OSC (at least not to my knowledge).
But let's look at what Live does and doesn't do.
Or maybe it could eventually change how people are working. Whether an OSC module for Live communication is necessary or not depends on how people are working.
If further expertise is required, telematique falls back on a broad network of programmers, architects and musicians.I really want to discuss this with people that are doing audiovisual stuff with Modul8 and Live. Telematique is also familiar with other media tools and combines them into an individual overall system.Īdobe After Effects / Premiere (Motion Design),
Modul8 ableton live max software#
Max from Cycling '74, but also feels at home in other software environments. Telematique mainly creates its programs with These creative works are presented both in art world at festivals, museums and theaters, as well as in commercial sector such as media productions at trade fairs or video projections on building facades. Telematique develops tailor-made software solutions that enable ideas to be implemented where conventional software reaches its limits.Ĭustom made tools are developed that synchronize light, video and sound, control motors or capture the world with sensors. This covers a broad field from conception, planning and programming to the interactive presentation of a diverse range of media content. Fans of Ableton Live’s Operator will like the familiar FM functionality and additive synthesis workflow, paired with wavetable synthesis. As both an artist and programmer telematique is experienced with the complex natures of innovative processes and in providing extraordinary technical solutions that meet the demanding requirements of any given creative environment. Max for Cats’ semi-modular hybrid synth, Bengal, has a highly intuitive layout and a forgiving tone, which is essential when pushing the extremes of its FM synthesis engine.
0 kommentar(er)
